I loved the Wonder Woman movie, so I thought I'd find a cool sketch to color. This one was recommended on Twitter. Lines by Tradd Moore. Colors by me!
You can also download the PSD for this image here: https://www.patreon.com/posts/11567285
I loved the Wonder Woman movie, so I thought I'd find a cool sketch to color. This one was recommended on Twitter. Lines by Tradd Moore. Colors by me!
You can also download the PSD for this image here: https://www.patreon.com/posts/11567285
Here's a promo poster I colored for Tim Seeley and his hometown con - Evercon. The narrated time-lapse is below as well. :)
Hey people,
One of the questions that I get often in YouTube comments, emails, or from students in my coloring tutorial course is:
How long does it take you to color a page?
I probably average between 1.5 - 2 hours per page. There are always a few outliers that go faster or even way slower, but that's probably pretty close to my average.
Many people usually respond to this and get discouraged at how they don't think they'll ever get that fast. The speed comes with time. It's not something that you can rush. I've been coloring comics with Photoshop for over ten years now, and I'm still finding shortcuts all the time.
Many beginner colorists also feel the need to render everything on a page with an equal amount of detail. This will slow you down dramatically and is rarely necessary. Focus your rendering where it's important! Faces, hands, focal points. Keep everything else relatively simple. That's not saying to not render at all, but if you think I'm going to spend as much time rendering the flower pot in the window in the background as I do on the face of a character, you'd be wrong. :)
I might do a video on this soon, but I hope this helps someone!
This was a big departure from my usual style. I actually painted it first (and only used the flats to clean it up). I learned a lot along the way. Enjoy!
Hey people! I uploaded a new video tonight. This is a time-lapse recording of a page from TRANSFERENCE #4 for Black Mask Studios. I'm filling in for my friend and fellow colorist, Tamra Bonvillain!
The artist in this issue is Toni Fejzula (VEIL). The writer is my former HACK/SLASH collaborator, Michael Moreci (HOAX HUNTERS, CURSE, ROCHE LIMIT).
If you are wondering what I'm doing with Photoshop in the video around 1:15, I'm using a gradient map. I made a video about them once here. I use them to shift the colors around in interesting ways on an adjustment layer, then set the layer mode to COLOR, then adjust the opacity. I then use that as a base to start adjusting my base colors.
Anyway, this project sort of fell in my lap suddenly, but I do have three new projects coming in 2016 that I can't say anything about yet, but one will be at Image, and the other two, IDW. All are creator-owned projects, and I'm very excited about them! I expect they'll start getting announced sometime in January 2016. UGH. :)
Talk soon!
In this video, I'll show you an example of how I plan my pages out ahead of time. It's important for storytelling and often overlooked in coloring tutorials. Story by Amy Chu (POISON IVY, WONDER WOMAN, GIRLS NIGHT OUT). Line art by Isaac Goodhart (POSTAL) For the FIRST LAW OF MAD SCIENCE MIX TAPE anthology.